Tuesday, September 27, 2011

31 Alternative Films for Halloween

(Insert the usual excuses for another absence on my part here, employment problems, family health issues, yadda yadda.)

Well, as everyone probably knows by now, Halloween's almost here once again, and you know what that means, right? Uninspired top ten lists from every non-genre media source imaginable! Because the experts at Entertainment Weekly who also put Glee on their covers three out of four times in the month know exactly what they're talking about!

Here's a rundown of what you're going to see on just about every damn list that people will be passing around on Facebook and the like while the sites rack up hit counts (don't even get me started on that one title per page bullshit these sites are doing now): Texas Chainsaw Massacre, Exorcist, Rosemary's Baby, Halloween, Nightmare on Elm Street, The Shining, etc. They'll also throw in a more contemporary title like Paranormal Activity to be hip and get people debating whether it deserves to be counted. It's the same every year. And why? Even non-horror fans of heard of all these and have most likely seen them by now. Must be hard shooting fish in a barrel.

Look, one of the main reasons I bothered to start this blog (and occasionally use, bada-BING!) was to pass the word around about lesser known films and to help discover otherwise overlooked movies. The films these lists perpetuate are great films, I'd never deny that. They are essential viewing for any horror fan, or film nerd in general. Problem is no one's addressing the question of what's next. With that in mind, here are 31 movies that I've noticed are either under-appreciated or just flat-out ignored. One for every day of the month! For you! See what I did there?

I tired to find a good mix of just about every kind of horror film out there, from dead serious to completely moronic, just to cover the spectrum of tastes. Are all these movies great? Hell no. No way are these better than the big guns of say The Exorcist, but why live your life on repeat? Take a chance, live a little. These films all have a least a few qualities that worth appreciating and I feel that every one of them are at least entertaining enough to create a fun October.

As for me, I'm going to partake in the October Horror Movie Challenge over at DVDTalk where I'm going to see how many horror movies I can watch in a month, of which just about all are going to be first time viewings in order to provide me with a whole new set of ammunition for this blog, lists like this, and a potential Youtube channel. We'll see. If anyone would feel inclined for a fun time and good conversation all about horror, anyone and everyone is encouraged to sign up and participate over there. In the meantime, please enjoy the following films. Find them anyway you can, buying, streaming, whatever you've got to do, man. I'd prefer people to buy and support the releases, especially for the specialty labels such as Code Red, but we all know how money's tight nowadays. Anyway, I hope you enjoy my list of flicks to check out.


1. Paranoiac

Rather than watching Psycho and it's well-known twist ending (SPOILER: It was a sled) for the 1,000th time, check out this Hammer entry inspired by Hitchcock's opus. A long-thought dead brother returns to upset his family, and Oliver Reed drinks. And drinks. And drinks. It builds up slow with a few good suspense scenes until a pretty satisfying twist ending. It's a fairly overlooked film in Hammer's catalog, probably because it doesn't have their customary takes on the old Universal Monsters, but it's worth checking out, and the boxset with seven other Hammer movies on it is definitely worth hunting down.

2. Isolation

If you're in the mood for something along the lines of Carpenter's The Thing but know that film by heart, check this one out. After messing about with cow genetics, a bovine monster is born and terrorizes a small group of people on the farm that birthed it. It sounds hooky, but the creature and the birth scenes are fairly disturbing and fall in line with the grotesqueness of Bottin's designs. A relatively recent and passed by movie.

3. Sheitan

A Frenchie's take on The Texas Chainsaw Massacre. The combination of surreal plot turns, a morbid sense of humor, and highly uncomfortable situations create a film you can't turn away from, even if you desperately want to. Vincent Cassel especially will be hanging around your subconscious for a while after a viewing.

4. The Convent

One of the two main titles I will spout on about every damn year until I hear people actually checking it out. There's nothing new here, really. It's a callback to the classic Night of the Demons, which if you haven't seen that you need to do so promptly, but The Convent treads similar ground with a unique sense of humor and characters that are genuinely fun to watch. A bit goofy, intentionally I feel, but fun as hell. The perfect movie to have on during a party.

5. Primal Rage

One of the films I've found only through the dvd releases of Code Red. It's a predecessor to films like 28 Days Later, but a lot more low-budget and a lot more Italian. Diseased monkeys instill a murderous virus in humans which spreads among a campus. One of the highlights of the film is the Halloween party scene which has the largest assortment of bizarro costumes and masks I've seen, in a film or otherwise. I think the effects guy was allowed to just go nuts and make every mask he could dream up. Great 80's fun.

6. Lisa and the Devil

Movies like Black Sunday usually get all the attention from Bava fans, but of the man's work that I've watched thus far, this is probably my favorite. A twisting dream-like excursion through a gothic mansion, with Telly Savalas, who may or may not be Satan, chewing (or should I say sucking) every scene he appears in. A lovely little mind trip. There's an alternate version with new footage that tried to cash in on the Exorcist craze on the same dvd but I haven't gotten around to watching that version yet so I can't tell you if it's worth your time. From what I hear, it's probably not.

7. Theater of Blood

There's a wealth of Vincent Price movies you can pick from for the holiday, and for your sakes you better watch at least one each year. If you haven't seen it, then I'd throw this one out there for my pick of the year. Price plays a bitter actor who gets his revenge on his critics through murders inspired by Shakespeare plays. The inventiveness of the kills as well as the film's gallows humor combine for a perfect mixture that's great to watch on a crisp fall afternoon.

8. Dance of the Dead

Only a couple of years old, but it already feels overlooked when you look at how far lesser zombie films have been received in the same time frame. Successfully recreating the sense of humor that was found in The Return of the Living Dead is no easy feat, but to do so in a film that also stands on its own is truly worth commending. It's great to see a truly fun film that calls back to the older classics without falling into the trap of relying solely on fanboyism like so many other indie films have lately.

9. Jack Brooks: Monster Slayer

Speaking of which, how many times have you had to sit through a horror-comedy and watch as yet another movie tries to pass off a pale imitation of Ash from Army of Darkness as the next big thing? How would you like to see a movie that's successful at it? I'm still surprised at how little-seen this film is. The internet horror community seems to know it, but it deserves to catch on with a bigger audience. Jack Brooks as a character is hilarious and compelling that manages to stand as a unique creation, while the film revels in a latex-laden ode to 80's monster movies. Jack's initial meeting with his psychiatrist alone is a scene for the books, in my opinion. It's not high art, but it's goddamn fun.

10. Dead End

The other film I will evangelize until the world ends. A family's road trip for the holidays ends up being a trip that's both funny and disturbing, frequently at the same time. The film's worth watching for Ray Wise's performance alone, which will have you questioning why this guy isn't a major name. A perfect example of how great a movie can be with the right combination of good writing, performances, and atmosphere all in a limited location with little means. The one film above any other on this list I'd recommend.

11. Re-Cycle

Maybe not a full horror film, but there's enough upsetting imagery and atmosphere to qualify it enough. It mostly takes place in the dreamscape, creating the opportunity for Asian horror's answer to Tarsem's visual spectacles. As well as a few tense sequences, the end's just heartbreaking making for a nice, more thought provoking film to counteract the usual crassness of the genre. The film came out just a bit after the bubble burst for Asian horror here in the U.S. but it's well worth checking out. Especially if you're burned out on the whole long-haired girl with the haunted Ipod thing they've been doing for over a decade.

12. Tales From Crypt (1972
)

Probably a more familiar title to those who are fans of older horror, but there's a few generations now that aren't as well versed with this one. Before the puppet cackled for HBO, the Cryptkeeper was played with his usual British elegance by Sir Ralph Richardson, who dispensed with the customary stories of bad choices and twisted morals. For no other reason, it should be watched for Peter Cushing's story which remains one of the few sequences in film that moved me to tears.

13. Vengeance of the Zombies

Probably not the best place to start with Paul Naschy, but dammit, I love the weird ones. A combination of Bava-like gothic sensibilities, giallo, and old-fashioned voodoo zombies, the film is definitely not for those who enjoy logic. But if you love being draped in the dream logic of Eurohorror, this is going to be a good time. Plus it's got all the Naschy hallmarks, including playing three(!) roles, bedding numerous women, and displaying his manliness at every opportunity.

14. Blood and Black Lace

I threw this in mainly for historical purposes in case someone comes by and is interested in dabbling into the pool of the giallo since I know a lot of horror aficionados are at least aware of this one. Considered to be the first true giallo, this murder mystery is filled with the Bava touches that made his films so succulent. Blues, reds, oh my! Start with this one and go on to discover all of the lurid offspring it created.

15. Home Movie

With all the interest in found footage movies, this one was completely skipped over. A priest comes to discover how evil children can be while filming home videos of his family. It gives you just enough to leave you bugged out by the time the film ends but never tips its hand and ruins the effect, creating a tense little movie that'll creep up on you later as you think it over.

16. Malefique

A tight little movie that primarily takes place in one jail cell, showing just effective economy of space can be with a little bit of good writing. Four inmates find a book of spells but of course receive more than they bargained for once they try their hand at it. With it's Lovecraftian feel and an odd sense of humor, it'll feel right at home alongside the likes of From Beyond. And of course, for his efforts, what do we offer the director? The remake of One Missed Call. Poor son of a bitch.

17. Dead & Buried

This not-quite a zombie film has developed a strong cult following but deserves a larger audience. The denizens of a coastal town take a strong dislike to tourists, at least until their corpses start walking around. A beautifully shot, well written little horror film with a few squirm inducing moments that has flown under the radar too long. Just quality film-making.

18. Trick or Treat

The internet has been abuzz the last few years for Michael Dougherty's Trick 'R Treat, but let's not forget the other flick that'll pop up in a Google search. It basically boils down to Skippy vs. Heavy Metal, directed by the fucking accountant from The Untouchables. You'll never forget such moments as a demonic entrance via a record played backwards or a woman assaulted by a monster unleashed through her walkman (TM.). A perfect example of the fun 80's horror would frequently provide and which is sadly little-seen today.

19. Contamination

You love Alien? You wanna see a complete bastardization in the grand style of Italian exploitation? Then look no further! Never again will there be such a record number of stupefying putrefying and gravity defying explosions of bodily goo! Beware the most gag-inducing egg sacs ever committed to celluloid! Beware the bird-beak of the asparagus mother alien! Find a copy! Today! Exclamations!

20. Just Before Dawn

A morality tale to promote the awareness of the legions of crazed rednecks in the Oregonian woods. Though in reality, you'll probably just a find a gaggle of hipsters going green or whatever they call it nowadays. Essentially, a backwoods horror film with young kids running afoul of hillbilly murderers, this one stands out thanks to great photography, excellent pacing, and a truly whack job of an ending. Boy howdy!

21. Flashback

A slasher from Germany, this one will definitely surprise you, especially if you're expecting another early-DV shot shitfest that littered video shelves through out the first half of the 2000s. Even though the dvd here is full-frame and dubbed, the beautiful cinematography and mischievous sense of humor still shines through. I've never seen a movie revel in its own wickedness as I did in this one's final act. Definitely a little known gem that should be sought out.

22. Satan's Little Helper

If you just want a movie with a flat out fucked up sense of humor, this is your target. Probably one of the most twisted movies released in years, a little boy goes about helping his beloved Satan as he goes about murdering and terrorizing about a small northeastern island. Through it all, it somehow convinces you that what you're watching is hilarious. What a pair of balls on this one.

23. Vampire Killers

Let's be frank, a hell of a lot of imitators set out among the fallout of Shaun of the Dead to capture some of the same success. Thus far, this is the only one to come close to the quality of the aforementioned film. Created by the team behind the quality BBC show Gavin & Stacey, the film sees a pair of dolts out for female accompaniment get caught up in a centuries old plot involving...lesbian vampires. It has a similar sense of humor as Shaun but manages to carve its own identity as it goes. The final shot in the movie is just uproarious.

24. Blood Dolls

Now, you've got a lot of options when it comes to Charles Band and tiny terrors. But nothing matches the sheer absurdity of this film. There is not one aspect of this movie that comes close to reality or logic. Everything and everyone is unhinged, leaving you with a giant case of What the Fuck? as it ends, leaving you not sure if you should be giddy or get some fresh air to remember what sanity was.

25. The Possession of David O'Reilly

You'd be forgiven for passing by this film's horribly nondescript cover on Netflix Instant. But that shouldn't stop you from going back and checking out a fairly creepy and frightening film. It manages to find that perfect sweet spot of showing you just enough and leaving the rest to your imagination, creating moments of pure terror. Forgotten to the world for the most part, this one is at least readily available.

26. The Ugly

At first glance, this might appear to be a take off on Silence of the Lambs, and that approach is probably how they got their funding, but it delves into a smaller, more intimate case study of a disturbed young man. The performances in the film are top notch and the climax will haunt you for a while upon viewing, which is why I'm still surprised how little known the film is some fourteen years after its release.

27. Biozombie

And now for something completely different. A Japanese punk rock zombie comedy, which is frequently hilarious. Filled with reprehensible characters, it's an overall nihilistic movie that exists solely for zombie mayhem and crass humor. And it's glorious. For an unabashedly filthy good time, this is your best option.

28. Curse of the Fly

The original Fly and Cronenberg's remake are well known, but the third installment of the original series is an often passed over gem, offering tragedy of Shakespearean proportions in the guise of a B-horror movie. I do believe that I have never watched as depressing a horror film amongst what would be considered the "classic" era. There may not be much in terms of an actual Fly monster, but the title does not deceive. This deals with the consequences of the legacy left behind from the original film, leaving no character untouched by the time it reaches its conclusion. Heavy stuff for its era.

29. Christmas Evil

Black Christmas and Silent Night Deadly Night tend to steal the thunder when it comes to Christmas themed horror movies, but if you want another slice of crazed, yuletide fun, this would be a great runner-up. A sad little man keeps track of all who's been naughty or nice all year long, waiting for Christmas to let his mind snap and dole out "gifts" before concluding with a baffling final farewell shot. Guaranteed fun times.

30. The Bloody Pit of Horror


A bizarro slice of cheese, this oddball concerns a group of models arriving to a decrepit mansion (yet it looks so chic...) only to find a deranged man believing himself to be an executioner from the Middle Ages calling it home, and doesn't particularly like interlopers. Basically, it involves women succumbing to the ridiculous traps of a man who dresses and and acts like a rejected villain from the 60's Batman series. It's as hilarious as it sounds.

31. American Gothic

Yes, this gleefully totes its connection to the famous painting all over its cover, which would make you believe it takes place on a traditional mid-western farm, yes? Well, no. It's set among the coastal cliffs of an island off the Pacific Northwest. And that's not all that's whacked in this movie that involves more backwoods terror as a group of young people (aren't they all?) stumble across a family seemingly stuck in the 19th century, and two fifty year olds mentally stuck as children. Pretty crazy fun that many may remember from its VHS cover when perusing the rental shelves, but not as many have actually seen it. Now's as good a time as any.

Tuesday, May 24, 2011

Screen Fiend: Scream 4


(Screen Fiend will be for movies I manage to catch at the theater, fyi)

I might be late to this party, but when have I ever been timely?

About a month before this came out, I watched all three Scream movies one after another. I hadn't watched any of them in at least a decade and they just kind if meandered in my memories, existing in a haze of "they're alright." So with the arrival of newest entry, whose existence is due solely to the Weinstein's turning to established franchises of the past in a bid to cover their company's bankruptcy, I decided to give the old ones a go before they got boxed in with everything else in preparation for our move. Frankly, I was surprised. They all held up as genuinely fun movies with characters that were enduring even today. I even enjoyed the third one which I remember leaving the theater not thinking too kindly on it. While my problems with Wes Craven may not be well documented yet, I'm sure they will be at some point, I'll have to say that these three movies hold up better than just about anything on his resume. Now, we just have to worry about a decade newcomer to see if it tarnishes them.

Beware of spoilers ahoy, though I'll give an extra big warning before I get to the denouement.

The beginning almost lost me. It tried to be funny and clever, but the acting and dialog were horrible. I don't know if they were pushing it to be a parody of Kevin Williamson's writing, or it just ended up that way as a result of the forced reshoots, though that doesn't explain the score beating you over the head like a baby seal.

After the customary initial attack, we find Officer Dewey and Gale, who looks like a botox machine was possessed and attacked her repeatedly, are waking up to their hum-drum small town life on the same day Sidney shows up to hawk her book, essentially selling the message of Look, I Stopped Whining, and So Can You!. Dewey's trying to be the big man in town while Gale's forced to be the bored housewife, having traded her own get the story drive for tedium in the face of middle age and settling down, jealous of Sidney's success. When the murders start back up, it gives her the push to go out and accomplish something once again, but at the same time finds herself at odds with Dewey's authority. Sidney's...well...she's still the same. Kind of mopey and sullen the whole time, though at this point it's probably understandable. Having roughly thirty friends and family sliced and diced affects a person somehow. I never did find her to have much of a personality other than being the straight man to the series, but at least here when she's confronted with Ghostface, she's been around the block enough to know to just hit the fucker. They usually end up being little twerps anyways, nothing that can't stand up to a good tackle.



Besides the big three, there's a new group of students being prepped for the new audience the producers are trying to endure themselves to. Emma Roberts plays Sidney's niece in about the same way Neve Campbell plays Sydney, the Final Girl, the middle of the road character that all their fringe friends with more personality traits revolve around. Such friends are actually one of the highlights of the movie. Rory Culkin does a great job of playing the "Randy" role while not actually aping his performance in any way. The same goes for Erik Knudsen stepping in for Matthew Lillard. Hayden Panettiere fills in the blonde best friend role, but has a more developed and fun role than is usually given in a slasher film. Nico Tortorella is given the Skeet Ulrich role, but seems to be impersonating a piece of wood for the majority of the movie. I know they were trying to have him play the most glaring red herring, but he seemed mentally deficient up until the end, where a glimpse of how funny his character could be pops up before disappearing again. There's a few other roles here and there played by fun actors, but for the most part they're just there to be either red herrings or meat for the machine.

A real testament for the movie is how it introduced a whole new set of characters, obviously as a shoe-in for a muted "reboot" that all franchises are trying to accomplish. These kids legitimately feel like they're in high school, versus guys in their mid to late thirties as featured in even the original Scream. Normally in situations like this, I feel kind of bitter at these types of characters since as a viewer, you grow attached to the recurring characters over the time-span of the series and the knowledge that these guys are being groomed for replacements, i.e. Kingdom of the Crystal Skull et al. In this, I never felt that way. I didn't mind when the movie cut to them and moved away from the power trio from the other films, primarily because their characters were handled well and they kept the movie fresh. For a bonus, the movie takes this reboot approach and chucks it out the window by the time the ending comes along.

As the movie goes on, there's the typical stalk and slash scenes thrown around as the characters try to figure out what's going on. A scene involving a neighbor's house sets up how much more brutal the kills are in this one, leaving some of the most gruesome imagery in the series which helps nurture our investment when Sydney comes face to face with the killer and she doesn't hesitate to kick his ass. One kill in particular was so bizarrely absurd and at the same time wince inducing, I wasn't sure if I should have laughed or been appalled. It involves a knife and a cranium if you want to know which one. A set piece at a Stab party creates a heavy dose of tension when one of the core characters are placed in real danger while at the same time using society's constant use of cameras as a source of terror. In fact, through out the whole movie, there's little jabs at the way technology's changed the way things are handled in slasher films. When someone is killed, there's no way to stop the entire wave of texts sent by the legion of teenagers and their phones. POV cameras are used to allude to the recent trend of found footage movies as well as our seemingly constant need to achieve higher levels of reality in media. The greatest irony in the movie comes in the ending where the film that was being marketed as a reboot for new audiences turns into a parody of that very notion.




***SPOILERS FOR THE ENDING AHEAD***

***I"M NOT EVEN FUCKING KIDDING, IF YOU DON'T WANT TO KNOW ANYTHING ABOUT IT, JUST SKIP ALONG***

***DON'T SAY I DIDN'T WARN YOU***

I halfway guessed the ending early on in the movie simply because I thought how awesome on an idea it'd be if they did it, never really thinking they would. You could imagine how happy I was to see they actually went for it. Sydney's niece and Culkin boy using the exact same idea most producers have with remakes to carry out their plan was ingenious, calling out out need to recycle and return to well worn roads over and over again. They recreate the exact same setup as the original's ending, but with the plan to edge out the "old" stars and replace it with a fresh new face, using today's social media to push themselves into the now vacated spotlight and providing a fresh face for the teens out there. Everything Emma Roberts spits out for her reasoning probably passed the lips of big time producers at same point in time. When the victory of the beloved characters that we've stuck by all these years comes, it creates a heartwarming feel of accomplishment in the viewer. The ending is violent, funny, intelligent, and genuinely surprising. I'd already place it pretty high among slasher film endings if that tells you how much I enjoyed the last third of this movie. And that's without Sydney's final line of "Never fuck with the original!", an earnest battle cry horror fiends have been screaming for years.


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*****SPOILERS OVER! COMMENCE!**********



The film as a whole is one of the rare birds where I hated the beginning but it slowly got better as the run time went on, until I absolutely loved the ending. I still say Wes Craven has no style, seriously try to pick out anything that stands out as being his, but I really believe that the strengths of this franchise lay in the writing. The main three characters all have a purpose aren't there to simply exist because it was expected. They have their own problems and paths that they try to go down alone but find they still need the strength of each other. The new characters are all fully realized played by competent actors, save for the ones that appear the least, leading to some hope for new teen oriented slashers in the future. It's the combination of these strong characters along with the love of the genre that it knows the audience has that leads to such an effective and satisfying ending. It's a movie that feels like seeing an old friend again and leaves you with hope for the future after so many depressing years. Why this did so badly at the box office? I'd say mostly because they threw it out there just expecting that same audience to be there without really hyping it up for the new teens out there. They say that a part 5 is still going to happen, but if it never comes to be I'll be content. Besides every new entry is another opportunity to really retcon the shit out of it and say something moronic like Sydney and Gale are sisters and their real dad was an evil priest and offers sacrifices to the Ghostface god and...well, that's enough of that. I'll be that guy to go ahead and say this is the best in the series, and the greatest example of there being new tales to tell rather than hitting the "restart" button.

Grade: B+

This Blog Needs an Enema


Yeah...so...how ya been? Look, obviously, I've been in this situation before. In the last five posts, probably half of them have been explanations/excuses. Well, here's another one, but I'll just make it as inclusive as possible so any time there's another late post after an absence, you can just refer to this one post instead of me cluttering the feed with them, though I hope there won't be much need to in the future.

In the face of a shit economy and the eternal battle of family health problems, life hasn't been easy, as I'm sure it hasn't been for many others so I'm not going to run on and whine when I know you have your problems and so does the next guy and neither one of you need to hear someone else's. Anyway, such things obviously eat at any such writing time, as much as I hate it. I'm currently hanging around New York for a few months in the hope for a new job and a new place to live. In the meantime, I find I have the time to work on writing projects again, finally.

So, expect more posts coming again for at least the foreseeable future, though they will be slightly retooled. The idea to write about every new movie I saw was a good one, but under the weight of time and obligations, it became a foolish one. I have an entire notebook filled with notes and lists of what I watched in the hopes of writing about them and there's just no way I'll ever be able to catch up. Plus, I found myself sacrificing quality for quantity, trying to get through as many blurbs in as short a time as possible. I think out of that whole Road to 500 business, there was about three write-ups I actually feel were decent, and I have no idea why, but the Hellhounds one still strikes me as funny. (It reminds me of a post I saw by Tycho of Penny Arcade fame where he commented on one of the strips by saying it was one of those fleeting examples of quality writing he wished he could attain every time he touched ink to paper, or digits to pixels in our current state I guess.) But, moving on, I'm going to selectively pick what will be written and go a little more in-depth in the writing, as well as carrying on with the various features I had planned as I think they'll be fun.

Finally, if you're reading this, thank you for coming back, and I hope we'll both be here for a while.

Tuesday, January 25, 2011

Road to 500: Fearing Itself

It's been a while, I'll say that. I got preoccupied once again with fruitless job searching, delaying me from here even more but here I am again. While the Road to 500 ultimately failed, I still watched a hell of a lot of movies for it so I need to get going on them. With this post, I'm clearing out the last of the Fear Itself installments. While it ended up being mostly a mixed bag of disappointment steeped in "meh"-ness, I still believe in the concept of the series. If they would have only moved away from aping well-worn story avenues and tried something fresh while keeping in mind the time frame of the show, I think it would have turned out fantastic. I'm sure it'll be a while before anything like this is attempted again so we'll never know, I suppose.

83. Skin and Bones

Larry Fessenden directs what's easily the best in the entire Fear Itself series. Doug Jones returns from a stint lost in the mountains that no man should have survived, only he's not quite the same man he was before. This is the only entry that I would go so far as to say it was actually creepy, primarily due to Doug Jones's performance. He's already an unsettling individual so it only takes a minimal of make up to push towards terrifying. His mannerisms come across as outright ghoulish here, obsessed with only one thing: meat. The ending takes place during one of the more grotesque meals I've seen prepared in a film. Even though not much is actually shown, the implication is enough to turn the stomach. Fessenden packs a lot of nuance in the too short running time, achieving more with his camera than any other director in this entire uneven film series. It carries the air of subtle menace that all of Fessenden films seem to excel at. This is the closest out of them all to feel like a true film. The only negative I can say is that it's not a feature length movie. I could see the ideas and characters easily being pushed into even greater limits outside of the confines of the Fear Itself format.
Sights within:
-World's worst case of anorexia.
-Dude, what have you been doing with those fingers?
-Art of cookery abuse.
-Great, another 13 year old being portrayed with the mannerisms of a bratty 5 year old.
-Try telling this guy to go vegan.
-Best performance by a bowl of stew.
Grade: A



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84. Chance

See, this is the problem with going through the Fear Itself films: they're all so damn middle of the road and generic, how can you keep writing about them when you've seen everything in them done better a thousand times, save for a few examples. Here, Ethan Embry is screwed out of his savings and commits a crime out of panic, only to find help in cleaning it up from his doppelganger. What follows is what you've seen in a hundred Hitchcockian movies. Gee, you think cops might show up and narrowly miss seeing that blood stain over there? You betcha. Embry is alright as the main character, though still not stretching much further than his typical awkward guy roles. John Dahl's direction perfectly perfunctory but nothing to write home about. The real sad thing is to see Vondie Curtis Hall killing time on something like this when he's capable of making such great movies. See it if you want, just don't expect to remember it much the next day.
Sights within:
-Nothing like delivering the most interesting parts of the story through expository dialog shoved into the opening of the film.
-Best performance by a vase.
-Double the Embrage.
-Gridlock'd director abuse.
-World's biggest prick of a double.
Grade: D+

Fear Itself "Chance" - Exclusive Clip
Uploaded by dreadcentral. - Check out other Film & TV videos.


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85. Spirit Box

Rob Schmidt does his goddamned best to shoehorn an entire feature length run of the mill teen horror movie into forty minutes. Two teens get bored and play with an Ouija...sorry...spirit board (damn Hasbro) and find out a classmate demands vengeance on her murderer. Cue the Nancy Drew twins running around, digging up clues in as efficient a manner as the running time allows. This thing pretty much covers every base that any PG-13 teen horror film has already beaten into a pulp, including the predictable twist ending. The only benefit here is that it takes about half the typical running time to be disappointed so that you can begin forgetting all about it even sooner. Schmidt, who made one of the better Masters of Horror installments, does a commendable job of keeping the look of the film slick and the performances are decent. The problem here lies in the script. It's the same filler we've been fed for the last fifteen years or so now. Should you care? If you're over the age of 13, not really.
Sights within:
-The morons probably spent three hours on just prettying their pizza box up.
-Best performance by the same goddamn swimming pool you see in just about every Canadian teen film.
-Gym teacher abuse.
-Yeah, just go on ahead and steal police evidence. You'll be fine.
-World's biggest waste of Martin Donovan.
Grade: C-



--------------------------------------------------------------------------------------------------------------------------------


86. Echoes

Okay, this one wasn't so bad, especially considering it comes from the outright bastard behind the Fog remake, one of the most despicable movies ever unleashed. Here, Pyro from the X-Men films rents an apartment in the heart of New Orleans and begins to be haunted by the past inhabitants. The film plays with the resonance of memories and past lives, with the feeling of prohibition-era New Orleans giving it a unique feel that rises it above similar stories. The problem remains that this still isn't terribly original. You know what will happen, save for a small twist in the specifics, so there's nothing that really drives you through the film other than the interplay between the two time frames. Aaron Stanford gives a great performance while Eric Balfour appears slimier than ever. It's a decent watch that I think could have gone a lot further if given the proper breathing room.
Sights within:
-Best performance by people kissing. They were so good, they drove two seperate guys into a murderous frenzy.
-World's most unfortunately named couple: Maxie and Zelda.
-Curb stompin', 1920's style.
-Switchblade abuse.
-How many baths can one person take before being labeled amphibious?
Grade: B



--------------------------------------------------------------------------------------------------------------------------------


87. The Circle

At last, the final fucking Fear Itself. Too bad it ended on such a bummer. Johnathon Schaech is a philandering horror writer who gets his when out on a celebratory stint in the woods. When his book begins coming true, he has to own up to being the asshole he is. This one has an intriguing idea, though not necessarily an original one as keeping in line with the rest of the series, but the execution is flawed. Even ignoring my dislike for Schaech as an actor, the film suffers from the lack of money and time it would take to successfully pull off what they were trying to accomplish. Things seem like they're heading in the right direction, and then they just stop, another victim preyed upon by the restrictions placed by the series's format. Decent, but, (once again) you've been here before.
Sights within:
-Best performance by quarts of oil.
-It's called The Circle, right? Let's shoehorn circles everywhere we can.
-World's palest imitation of Stephen King.
-What a random coven of witches.
-Once again, shaky cam abuse.
-Ah, here's where the witches come in, over-explaining where the air of mystery could have been much more effective.
-What's more horrible: being the story's characters and reliving everything over and over, or having to watch Fear Itself over and over?
Grade: C-




Movies Watched: 5
-Skin and Bones
-Chance
-Spirit Box
-Echoes
-The Circle
New Movies Bought: 36 (Keep in mind, this is from the last five months or so. Even with almost no money I was able to either get these through gifts or found them for less than two bucks so unfortunately the glory days have not returned but I'm working hard now to get back to them.)
-Outpost Doom
-The Grand Horror
-Paranormal Activity (blu)
-Pig Hunt
-The Tomb
-Dark House
-Grimm Love
-Hunger (2010)
-Road Kill
-A Nightmare on Elm Street (2010) (blu)
-Splice (blu)
-Halloween 2 (Rob Zombie) (blu)
-The Human Centipede (blu)
-Sorority Row (blu)
-The Wolfman (2010) (blu)
-Night of the Demons (2010) (blu)
-The Changeling (Eastwood) (blu)
-Black Kiss
-Head Trauma
-Scarlet Letter
-To Live and Die in LA (blu)
-Outlander (blu)
-Mega Piranha (blu)
-Lakeview Terrace
-The Recruit
-The Sweetest Thing
-Angel of Death
-Fast Food Nation
-Antitrust
-Next
-Garfield: A Tale of Two Kitties
-Year One
-Your Friends and Neighbors
-Tailor of Panama
-Talk to Her
-Giallo
Unseen DVDS: 3209
Unseen Blu-rays: 77
Unseen VHS: 119
Unseen DVD-R'S: 5



Is there something you need from me
Are you having your fun
I never agreed to be
Your holy one

Thursday, January 6, 2011

2010 Kiss Off

Because everyone loves lists.



2010 saw the creation of this place and by some unexplained force, it's still here. As is the custom with just about any blog you'll come across, January is the time for lists. All sorts of them; best lists, worst lists, lists of lists, yadda yadda yadda. So here I am throwing my hat into the obligatory ring.

Problem is: I'm living in the past, man. I called this blog DVD Fiend because it's a tribute to the format that allowed for my obsession with films to take on an almost transcendent level of fanaticism. You'll notice that I also talk about theatrical films, blu-rays, vhs, and hell, sometimes nothing in general. The one thing in common is that they are all rooted in catalog titles. I'm more about digging into what's already come versus jumping on the bandwagon for what's out now and messing up my objective view on a film, which is why I'll wait a few years for the hoopla to die down about a movie before giving it a go like with Benjamin Button, though it didn't save that movie from being any less awful. Having a toddler doesn't help when you want to rush out and see Black Swan either.

Now, I used to be able to catch up when they hit home video (hence, the huge unwatched count at the bottom of the Pile of Shame posts) but I lost my job some time back and that hasn't been an option. So by and large, I've missed 2010 film-wise. Here's my Top list if you want to see everything from 2010 I've seen so far, including this year's After Dark Horrorfest titles:



Top Films of 2010 I Actually Watched:
1. Lake Mungo
2. Clash of the Titans
3. Predators
4. Dread
5. Splice
6. The Reeds
7. The Crazies
8. Piranha 3D
9. The Wolfman
10. Hidden
11. Scott Pilgrim vs. The World
12. The Final
13. Kill Theory
14. A Nightmare on Elm Street
15. Zombies of Mass Destruction
16. The Graves

Pretty much just genre stuff, none of the indies or dramas I would usually see and enjoy.


Top 10 Movies I Would Have Liked To See This Year:
1. Tron: Legacy
2. True Grit
3. Black Swan
4. The Town
5. The A-Team
6. Daybreakers
7. Toy Story 3
8. The Expendables
9. The King's Speech
10. Paranormal Activity 2

Top 10 Movies I Hope To Never See If I Can Help It:
1. Catfish
2. The Tooth Fairy
3. Furry Vengeance
4. The Spy Next Door
5. Alice in Wonderland
6. Death at a Funeral
7. Tangled
8. Yogi Bear
9. Salt
10. Robin Hood

Now, since this blog is all about watching past movies, here's the best movies I saw for the first time this year, many of which you'll find write-ups in the archives or they're coming soon.


Best First Time Viewings of 2010:
1. Grizzly Man
2. The Wicker Man (original)
3. Rolling Thunder
4. Black Belt Jones
5. Savage Streets
6. Dog Bite Dog
7. Forbidden Planet
8. Strangers on a Train
9. Lake Mungo
10. Cherry Blossoms
11. Prince of Darkness
12. Trick R Treat
13. Bug
14. Where the Wild Things Are
15. Vinyan
16. Home Movie
17. Girly
18. Drag Me to Hell
19. Triangle
20. Jack Brooks: Monster Slayer
21. 100 Feet
22. Surveillance
23. Autopsy
24. Primal Rage
25. Hamlet 2

And of course, there can be no light without darkness:

Worst First Time Viewings of 2010:
1. Cemetery High
2. Fangoria Blood Drive, both of them
3. The Hitcher 2
4. The Happening
5. The Graves
6. The Brotherhood 3
7. The Strangers
8. The Cavern
9. Zombies of Mass Destruction
10. Ghost Game
11. Spirit Box
12. An American Carol
13. A Nightmare on Elm Street 2010
14. It Waits
15. Wicker Man (remake)
16. Hellhounds
17. Perkins 14
18. Hell's Bloody Devils
19. Bloody Murder
20. Choke
21. The Messengers 2
22. Jennifer's Body
23. The Final Destination
24. The Curious Case of Benjamin Button
25. Trancers 4 or 5, pick one

And now for some various other awards I singled out.

Best Trailer:


Best Poster:
How did this shit get by so many producers without getting noticed?


Best Assassination of a Comic Book Character I've Always Loved:
Jonah Hex

How Does He Keep Getting Work?:
Ashton Kutcher

How Does She Keep Getting Work?:
Rachel Miner

Most Overrated Movie I Saw:
Scott Pilgrim vs. The World- I'm supposed to care about a whiny asshole that cheats on his girlfriend with an ice queen who not once did I ever buy that she was actually into him. And then somehow the movie becomes about his self-esteem? What the hell? If you get rid of the Scott and Ramona characters, I'd love it. Knives Chau stole the movie and should have been the focus.

Most Depressing:
Curse of the Fly- The ending is almost Shakespeareanly tragic.

Most Disgusting:
Deadgirl- Just icky.

Most WTF?:
Sisters- It's been almost three months since I saw it and I still have no idea how I'm going to articulate my thoughts on this thing when I do the write-up.

Most Under-appreciated:
Bug- Come on, it's amazingly engrossing and insane. If you've ever hung around meth-heads, you'll realize how spot on this is.

Best Movie Made On $500 Bucks:
Outpost Doom- A genuinely interesting and fun throwback to classic horror movies.


Surprisingly Wasn't Completely Horrible:
Stan Helsing

Movie I Would Have Walked Out Of And Fucking Killed Someone If I Had Actually Paid Money To See It:
Catfish- Thanks to Dead Lantern's review, I know everything I need to know about this mis-marketed joke. It pisses me off and I haven't even seen it. Seriously, give their review a listen and tell me if you would still want to see it.

Best Score To A Movie I Haven't Seen:
Tron: Legacy by Daft Punk- It's been months and I still haven't stopped listening to it.

Best Song Still Stuck in My Head After Seeing the Movie:


Movies I've Seen More Than I Ever Wanted To Thanks To My Son's Daily Rituals:
1. Garfield
2. Lilo and Stitch
3. Toy Story
4. Surf's Up
5. Monster House/Monsters Inc., depending on what type of mood he's in.


I think that's all I got at the moment. I'll end this saying that despite my outside pressures, I've had a lot of fun running this blog and it motivates me to push myself even more for the next year. I have to thank everyone that ends up here, through whatever means they arrive, for coming by and reading. I love finding new movies and exposing them to others, so if even one person goes and checks out a few new titles because of something they read here, I'm flattered. I thank you all again and here's to a cinematic 2011!

Monday, January 3, 2011

Road to 500: Failure

Alternatively titled: I Suck, Here's Why I Sucked, and Here's Hoping I Don't Suck So Much This Year.



I know many have been waiting with bated breath for the return of regular Fiend postings, okay maybe not but it'd be nice to imagine such, and an update on how goes the brain sucking marathon.

Well, I'll tell you up front, it did not happen.

I think it topped out around 273 or something like that, which some would say nearly 300 movies in three months is an achievement in and of itself, but I still see it as a mark of shame. I made a public bet and I fell through to which I apologize. You may have noticed that with my last post I promised a follow up post with my thoughts on another remake which would have been 2010's A Nightmare on Elm Street but it never materialized. Well okay, here's my reasons for why these and other planned events did not occur. Please don't take this as whining.

After I threw up the last post, we had what could be considered a very minor snow falling. While I laughed at this place freaking out over a quarter inch worth of snow, karma would have other plans. The next morning while returning some gear I slipped on a tiny patch of ice, apparently breaking one of my ribs. As I stood up, I think I heard the heavens laughing. Or it was my breath wheezing in and out. I don't know. Anyways, this naturally put a crimp on anything computer related as it felt as though Satan was running a belt sander under my arm every time I lifted it up. I lost two weeks worth of working time on both the blog and my college thesis film, putting me at odds with both. When I could operate a keyboard again, I found my file for the Elm Street posting missing and hasn't been seen from again, gone to the recycle bin forever it seems. Something I wish could happen to the film itself. December was pretty much committed to finishing the movie and graduating. (Shameless Plug #3: if you want a hint of how it came out check it out here)

All in all, during the entirety of December and most of November, I managed to watch all of one movie, which was The Ref, a heartfelt Christmas movie if there ever was one.

With my case presented, I stand here for your judgment. Do you continue to follow a welsher that can't live up to his bargains? Do you still kill time by reading the blathering of a writer who can't fulfill his work load? Is there anyone that's actually still reading this?

I hope there is because there's a lot coming up. Overlooking this post which was originally supposed to state why the Road to 500 didn't materialize and has now become one of the whiniest blog posts on the 'net, I think there's some really fun content brewing. I've still got over 200 horror movie write-ups to do from the Road to 500 debacle as well as the other movies I've been able to start catching up with. Over the next few days there should be your typical "end of the year" type of post, though done in a personalized Fiend fashion. And over the last week or so, I've been hard at work on a marathon of kaiju-like proportions that should be fun to type up. There'll be new features, essays, lists, and all types of movie nerd shit going on right here at the DVD Fiend so stay tuned and here's to a productive 2011.

I mean it this time, too.

Sunday, November 21, 2010

Initial Thoughts: Friday the 13th (2009)

Jason-Fu!

(Truth be told, this is an old post from what was basically the prototype for this blog (some would argue this place is still in the beta phase which I wouldn't disagree with). I figured I'd post it here for archival purposes before its other home disappears. (Myspace, what the hell happened to you? It's like you're an assault victim desperately clinging to the idea that everything's fine.) Plus, I figured it'd be a nice companion to tomorrow's post where I'll do the same format for another film. Bet you can't guess which one?

Anyway, after I saw this thing in the theater, I was still so frustrated with it that I had to spit out the points that were bothering me in order to find the peace within once again. Sadly, I'm not exaggerating. Just ask my wife who witnessed me have an emotional freak-out while stuck in the theater, something I think I've just now gotten over from tomorrow's movie. Looking at this now, it strikes me as being even more profane than I usually am but I attribute that to the anger the movie induced. I'd like to imagine my writing's improved since then, an old adage I'll be saying about this come two years from now. There's probably more bitching points forgotten that I'll remember whenever I revisit the movie, but for now I'd like to think these are enough, even now almost two years later.)


Originally appeared on 2/19/2009:
Okay, so I'm skipping class and having to use the school's computer since mine's screwed up right now, but I figured I'd have to vent while it's fresh. I liked the Leatherface remake enough and dug the hell out of the prequel, so I was wasn't expecting horrible things; and it's not like any of the original Jason flicks were that good. The only one that comes close to being a truly good movie was the very first one. The rest were just really fun in a schlocky way, so it's not like this one had too far to go to top the others. I just don't know how they could possibly fuck it up. Wow. Here's some individual thoughts. Beware, much of the film's....."plot" is spoiled below.

-The opening credits almost sent me into a seizure. By the time your eyes adjust to being strobed, they hit you with another one. From the very first second, the movie was just inviting The Rage out of me.

-Jason's mother sounds like she couldn't punish a poodle let alone kill a whole camp. She looks like she should be selling bibles.

-Okay, so we're introduced to the first group of losers. In a slasher, these are typically the opening fodder dispensed with in five minutes to set the rest of the movie up. But guess what? These fuckers hang around for what feels like half an hour at least. Maybe it was only fifteen minutes but it easily felt like twice that.

-What makes that all the worse is that these guys are insufferably annoying. Hell, if they had a black guy with them you already have all the stereotypes in the first batch. The jock, the vapid girlfriend, the stupid-ass comic relief, the survivor girl, and her helpful but naive boyfriend who'll get it in the end right before the end of the movie. That's right, this is it's entirely own movie, one that's completely uninteresting and boring as hell since you've already seen it a hundred times.

-Oh yeah, this movie has nudity out it's ass, as though that's going to make up for the rest of horseshit slung around. This movie has enough silicone and plastic to give Cher a new lease on life.

-So the chick finds a locket with a photo of Jason's mother on it, which apparently she looks like. Yep, at the 7 minute mark, I already knew the ending.

-So, uh, when did Jason become a Graboid? Call Kevin Bacon.

-Why the fuck does a summer camp have a boiler attached to labyrinthine tunnels? Were they smuggling slaves in the Civil War? Why does Fuller and Form think every horror movie has to have a set stolen from the Goonies and pumped up to be grittier?

-Oh, there's the title card. Shouldn't it have a "Part 3" by now?

-Oh, GODDMAMIT!! Are you fucking telling me we have to sit through a whole other half hour of setting up even more vapid characters than the first group? AHHHHHHHHHH!!!!!! I literally almost walked out at this point.

-I swear to god, Trent is the love child of Tom Cruise and Christian Bale. Look:


-I almost want to say that the only character even remotely likable is Jared Paladecki, but then I realize that's only because I like him in every single other thing I've seen him in. His character in this is just as one note and flat as any other, it's just that he's trying hard to make it better. The Asian guy is the only one that's tolerable, and even that's only for a couple of scenes.

-When the hell did the 70's flocked haircuts comeback? I know dipshit skaters have had them for a while now, but when did the rest of the world drink the Kool-Aid? This movie is more flocked than most major migration paths for birds.

+Awesome! The Sentinel's playing the sheriff!

-...who only gets two lines.

-I honestly haven't heard just outright retarded dialog like this in years. Who fucking talks like that? At one point Trent complaints a woman's chest in mid-coitus by calling them "stupendous". Whaddafuck?

-Basically, this movie's concept for Jason was take Leatherface from the remake and make him look like a bum. Sorry, it doesn't scare me at all. In fact I ended up laughing at him in every scene. I've seen scarier looking people at the bus stop. Mentally stunted, clodding, something-not-quite-right Frankenstein's Monster Jason was freaky to me. Meth-head homeless Joe Jason is not. Simple.

-The mask's big reveal issss.....(drumroll)...under a pile of dirty linens and random shit that he slips on without even really giving a shit, helping us to not give a shit either.

-The kill's in the movie aren't even entertaining, which could have been it's only saving grace, but they all feel like a twelve year old tried to emulate shit from a Hostel movie. The weakest kills in the whole series to me.

-Sorry, I was wrong. Jason's apparently patterned after Ted Nugent. He sure is a good shot with that bow and arrow.

-Jason wants to hide from the world. This movie teaches us that the best way to do that is to light up your stomping grounds like a fucking funpark. "They'll never find me under these stadium lights." But there really is no explanation why every other scene at night is lit like there's a high school football game going on next door. You can actually count how many spotlights are being used in every shot. Platinum Dunes might want to look for at least one new guy to rig their lights. I know that guy with the hairlip has been around for a while, Mr. Bay, but I think it's time we let him go quietly into that good night.

-I swear to god, at least 30% of the movie was out of focus. I thought at first it was just the projector, but no, it was for specific shots. Hell, some shots would start in focus and then go completely soft by the end for no justifible reason. I can get why people use shaky cam, as much as I hate it. But if out of focus shots combined with fucking shaky cam becomes the new trend, then we, as a collective human race, are retarded. As someone who's capable of sight, I like to be able to see my movies.

+The only, and I mean only, good scene in the movie is when the black guy gets it (as though you didn't think he would). He's laying out there with an axe in his back and screaming, then it cuts back to the cabin where Trent is doing the whole "You're full of shit. There's nothing out there" spiel while you can still hear the black guy screaming for help offscreen. I was fucking dying laughing. I couldn't breathe. Holy shit. "It's cold out here" hahahahahahahaha

-Wow, Trent's death is very anticlimatic. I wish the truck driver had gone "Fuuuuuuuccck this" and peeled out. I know I would have laughed.

-Ohhh, the survivor girl got killed. What a twist! Maybe it would have mattered if anyone gave half a damn for even one of the characters instead of simply filling the quota of stock characters.

-You know the ending of Rob Zombie's Halloween where Michael's playing Rob Villa in the old house with the 2x4? Just take that but change it to homeless Jason in the tunnels (which somehow empty into an overturned bus? Huh? Was I seeing that right?) and there's your ending.

-See the sister there doing the whole momma routine? Yeah, I harken back to the seven minute mark.

- Really? That's how you try to top the last minute ending of the original? Just have a seat over there. We need to have a talk about some things.

-The credits are just now rolling but I swear to god this movie ended a lot earlier. My brain feels like it checked out halfway through.

The sad part is there was at least twice as many mental notes I had watching it, but even as I was leaving it was hard retaining any of them. The movie was so goddamn vapid I could barely hold onto a cohesive thought about it. I know I had watched it, but nothing stuck because every single thing was so meaningless throughout the entire movie. To put it in perspective, I wasn't this angry or frustrated coming out of The Unborn last month. Hell, I actually think I like Zombie's Halloween a little more after this. At least that could be entertaining as you watch it. This was just tedious. It felt like work sitting through it. Never before have I literally felt like I should be paid for watching a movie. The old movies, while not being very good, were a blast to watch. They're great for horror kids to watch and adults can get cheesy kicks out of them. Jason X is one of the most rewatchable movies to me just because of how fun it is. The pretentiousness of the remake just sickens me. It feels like they thought "Oh, we're going to make an actual good Jason movie" and were snubbing their noses at the past films, when those were at least enjoyable. The My Bloody Valentine remake puts it's bootheels to this movie's neck, man. You can tell it was made by people that really respect the original and other slsashers of the time and paid tribute while still doing their own thing. That movie grabs you by the throat by the opening shot and screams in your face "YOU READY FOR SOME FUN, FUCKERS? WOOOOOOOO!!!!!" And it's in 3-D. And it's got Tom Atkins. And 3-D midgets. Who get spiked to the ceiling. Holy shit, that sounds awesome, and I've already seen it! Go see that instead.

I'll let you know if the unrated Blu-ray of Friday the 13th is any better when I eventually buy it.

God, I'm such a tool.

(For the record, I did end up buying the blu-ray for about six bucks, proving that: indeed, I am a tool.)

These two have ruined studio horror as well as childhood memories for years. Consider them the Fiend's Most Wanted.